Chapter 7

7–26. Aldus Manutius, printer’s trademark

7–1. Johannes da Spira, typography from Augustine of Hippo’s De civitate Dei

7–2. Nicolas Jenson, typography from Eusebius’s De praeparatione evangelica

7–3. Nicolas Jenson, pages from Incipit officium beate Marie virginus secundum consuetudinem romane curie

7–4. Nicolas Jenson, pages from Incipit officium beate Marie virginus secundum consuetudinem romane curie

7–5. Printer’s trademark

7–6. Laurentius de Rubeis, printer’s mark

7–7. Pere Miguel, printer’s mark

7–8. Erhard Ratdolt, Peter Loeslein, and Bernhard Maler, title page for Calendarium, by Regiomontanus

7–9. Erhard Ratdolt, Peter Loeslein, and Bernhard Maler, pages from Calendarium, by Regiomontanus

7–10. Erhard Ratdolt, Peter Loeslein, and Bernhard Maler, pages from Calendarium, by Regiomontanus

7–11. Erhard Ratdolt, Peter Loeslein, and Bernhard Maler, pages from Calendarium, by Regiomontanus

7–12. Erhard Ratdolt, Peter Loeslein, and Bernhard Maler, pages from Euclid’s Geometriae elementa

7–13. Erhard Ratdolt, Peter Loeslein, and Bernhard Maler, pages from Euclid’s Geometriae elementa

7–14. Giovanni and Alberto Alvise, title page from Ars Moriendi

7–15. Manuscript book of Roberto Valturio’s De Re Militari

7–16. Johannes Nicolai de Verona (printer), pages from Roberto Valturio’s De Re Militari

7–17. Aldus Manutius, from Pietro Bembo’s De Aetna

7–18. Aldus Manutius, typographic page from Hypnerotomachia Poliphili

7–19. Aldus Manutius, illustrated spread from Hypnerotomachia Poliphili

7–20. Aldus Manutius, illustrated spread from Hypnerotomachia Poliphili

7–21. Aldus Manutius, illustrated spread from Hypnerotomachia Poliphili

7–22. Aldus Manutius, illustrated spread from Hypnerotomachia 
 Poliphili

7–23. Aldus Manutius, illustrated spread from Saint Catherine of Siena

7–24. Aldus Manutius, page from Juvenal and Persius, Opera

7–25. Aldus Manutius, pages from a volume combining Homer’s Iliad and Odyssey

7–27. Lodovico degli Arrighi, pages from La operina da imparare di scrivere littera cancellaresca

7–28. Ugo da Carpi, page from Thesauro

7–29. Henri Estienne the Elder, title page for Aristotle’s Metaphysics

7–30. Charles Estienne, title page 
 for a Naturae ad Nominem

7–31. Geoffroy Tory, pages from the manuscript book Les heures de Jean Lallemant

7–32. Geoffroy Tory, pot cassé emblem

7–33. Geoffroy Tory, capital from a series of criblé initials

7–34. Geoffroy Tory, pages from Horae in Laudem Beautissim ce Virginis Mariae (Hours of Our Excellent Virgin Mary)

7–35. Geoffroy Tory, pages from Champ Fleury

7–36. Geoffroy Tory, construction of the letters Q, V, and R from Champ Fleury

7–37. Geoffroy Tory, fantastic alphabet from Champ Fleury

7–38. Henri Estienne the Younger, title page from Ciceronianum Lexicon

7–39. Simon de Colines, title page for De Natura Stirpium Libri Tres

7–40. Simon de Colines (printer) and Oronce Finé (designer), title page for Jean Fernel’s (Ioannis Fernelli) De Proportíoníbus Duo

7–41. Jacques Kerver, title page from Poliphili

7–42. Jacques Kerver, typographic pages from Poliphili

7–43. Johann Froben (printer) and Hans Holbein the Younger (illustrator), title page for Sir Thomas More’s Utopia

7–44. Joannes Frellonius (printer) and Hans Holbein the Younger (illustrator), pages from Imagines Mortis

7–45. Johann Oporinus (printer), pages from De Humani Corporis Fabrica

7–46. Jean de Tournes (printer) and Bernard Salomon (illustrator), title page from Ovid’s La vita et metamorfoseo (Metamorphoses)

7–47. Jean de Tournes (printer) and Bernard Salomon (illustrator), pages from Ovid’s La vita et metamorfoseo

7–48. Christophe Plantin, title page from Les singularitez de la France Antartique, autrement nommée Amerique, & de plusieurs terres & isles decouvertes de nostre temps, by André Thevet

7–49. Christophe Plantin, page from Humanae Salutis Monumenta, by Arius Montanus

7–50. Christophe Plantin, pages from the Polyglot Bible

7–51. Stephen and Matthew Daye, title page for The Whole Booke of Psalmes

7–52. Abraham Bosse, Printing Shop—The Plate Printer

7–53. After N. de Larmessin, “Habit de rotisseur” (The Butcher’s Clothes), from The Trades

7–54. Jan Jacob Schipper, page from Calvin’s Commentary