MHOGD
Chapter 24
24-100. Jim Sherraden, Hatch Show Print, “Triple Elvis,” blind embossed wood type, photoplate, original woodblock
24-101. Jim Sherraden, Hatch Show Print, “Acuff Red,” combination of original Grand Ole Opry wood blocks
24-102. Jim Sherraden, Hatch Show Print, “Eyes of Hatch,” contemporary carved features from original woodblocks
24-103. Jim Sherraden, Hatch Show Print, “Abstract Alphabet, “gothic typeface printed on paper, mounted on various heights of wood
24–1. Susan Kare, screen fonts for the Macintosh computer
24–2. Sumner Stone, digitized data for Stone Medium b
24–3. April Greiman, poster for the Los Angeles Institute of Contemporary Art
24–4. April Greiman, graphic imagery for Design Quarterly, no. 133
24–5. Rudy VanderLans, cover for Emigre, no. 11
24–6. Glenn A. Suokko (designer) and Emigre Graphics, cover for Emigre, no. 10
24–7. Zuzana Licko, digital typefaces
24–8. Katherine McCoy, Cranbrook recruiting poster
24–9. Edward Fella, mailer for Detroit Focus Gallery
24–10. Edward Fella, announcement for a lecture
24–11. David Carson (art director) and Pat Blashill (photographer), “Hanging at Carmine Street,” Beach Culture, a magazine focusing on West Coast watersports
24–12. David Carson (art director) and John Ritter (photographer), “Is Techno Dead?,” Ray Gun
24–13. David Carson (art director) and Chris Cuffaro (photographer), “Morrissey: The Loneliest Monk,” Ray Gun
24–14. Fred Woodward (art director and designer) and Andrew Macpherson (photographer), “Sinead O’Connor…,” Rolling Stone
24–15. Fred Woodward (art director), Gail Anderson (designer), and Matt Mahurin (photographer), “The Making of the Soviet Bomb,” Rolling Stone
24–16. Erik Adigard/MAD (designer), John Plunkett, Barbara Kuhr (art directors), Wired magazine contents spread with publishing mission, premiere issue, March 1994
24–17. John Plunkett, Barbara Kuhr (designers and art directors), Wired magazine, front-of-book spread.
24–18. John Plunkett, Barbara Kuhr (designers and art directors), Wired magazine feature spread, July 1994
24–19. Kit Hinrichs (Pentagram), @issue magazine, c.1997–2003
24–19. Kit Hinrichs (Pentagram), @issue magazine, c.1997–2003
24–19. Kit Hinrichs (Pentagram), @issue magazine, c.1997–2003
24–20. Abbott Miller, “How to Pass, Kick, Fall and Run,” 2wice magazine
24–20. Abbott Miller, “How to Pass, Kick, Fall and Run,” 2wice magazine
24–20. Abbott Miller, “How to Pass, Kick, Fall and Run,” 2wice magazine
24–21. Martin Venezky/Appetite Engineers, cover of the Sundance Film Festival Identity and Film Guide
24–22. Martin Venezky/Appetite Engineers, spread from the Sundance Film Festival program
24–23. Sumner Stone, the Stone type family
24–25. Robert Slimbach, typefaces
24–26. Robert Slimbach and Carol Twombly, Myriad, a two-axis multiple-master font
24–27. Emigre fonts
24–28. Matthew Carter, typeface designs
24–29. Matthew Carter, Walker typeface
24–30. Matthew Carter, Yale Design, roman and italic
24–31. Matthew Carter, Yale Administrative, roman and italic
24–32. Matthew Carter, Yale Street
24–33. Gerard Unger, Capitolium type family
24–33. Gerard Unger, Capitolium type family
24–34. Frank Blokland, DTL Haarlemmer
24–35. Petr van Blokland, Proforma
24–36. Erik Spiekermann, Erik van Blokland, Ralph Oliver du Carrois, Axel family
24–37. Jonathan Hoefler and Tobias Frere-Jones, Gotham typeface
24–38. Nadine Chahine, Koufiya typeface
24–39. Nadine Chahine, Frutiger Arabic
24–40. Nadine Chahine, Neue Helvetica Arabic
24–41. Pat Gorman of Manhattan Design, MTV press kit cover
24–42. Woody Pirtle, digital illustration for Mead Paper Company
24–42. Woody Pirtle, digital illustration for Mead Paper Company
24–42. Woody Pirtle, digital illustration for Mead Paper Company
24–43. April Greiman, “Shaping the Future of Health Care” poster
24–44. Bill Hill and Terry Irwin (creative directors) and Jeff Zwerner (designer), MetaDesign San Francisco (design firm), VizAbility interactive CD-ROM screen design
24–45. Jessica Helfand (creative director), Melissa Tardiff (art director), Jessica Helfand Studio; Interactive Bureau (agency); John Lyle Sanford (Discovery Channel design director), Discovery Channel website
24–46. Clement Mok and Brian Forst (designers), Scott Peterson (photographer), and Studio Archetype (design studio), iQVC main categories screen for Internet shopping
24–47. Bob Aufuldish, fontBoy interactive catalogue website title page
24–48. April Greiman, RoTo Architects website
24–49. RenderMonkey, home page, Color Chart: Reinventing Color, 1950 to Today
24–50. RenderMonkey, inside page, Color Chart: Reinventing Color, 1950 to Today
24–51. Erik Adigard, “Money Is Just a Type of Information,” Wired, July 1994
24–52. Erik Adigard, HotBot logo
24–53. Aaron Koblin, dynamic visualizations for flight patterns
24–53. Aaron Koblin, dynamic visualizations for flight patterns
24–54. Thomson Reuters, story layout from the Wider Image iPad application
24–55. Thomson Reuters, information graphic from the Wider Image iPad application
24–56. Danny Yount, main title design for Kiss Kiss Bang Bang
24–56. Danny Yount, main title design for Kiss Kiss Bang Bang
24–56. Danny Yount, main title design for Kiss Kiss Bang Bang
24–56. Danny Yount, main title design for Kiss Kiss Bang Bang
24–56. Danny Yount, main title design for Kiss Kiss Bang Bang
24–56. Danny Yount, main title design for Kiss Kiss Bang Bang
24–56. Danny Yount, main title design for Kiss Kiss Bang Bang
24–56. Danny Yount, main title design for Kiss Kiss Bang Bang
24–56. Danny Yount, main title design for Kiss Kiss Bang Bang
24–56. Danny Yount, main title design for Kiss Kiss Bang Bang
24–57. Pentagram (Lisa Strausfeld), dynamic display of financial information for the Bloomberg LP headquarters in New York
24–57. Pentagram (Lisa Strausfeld), dynamic display of financial information for the Bloomberg LP headquarters in New York
24–57. Pentagram (Lisa Strausfeld), dynamic display of financial information for the Bloomberg LP headquarters in New York
24–58. Pentagram (Paula Scher), environmental graphics for Bloomberg LP corporate headquarters
24–58. Pentagram (Paula Scher), environmental graphics for Bloomberg LP corporate headquarters
24–58. Pentagram (Paula Scher), environmental graphics for Bloomberg LP corporate headquarters
24–59. Pentagram (Paula Scher), environmental graphics for the New 42nd Street Studios
24–59. Pentagram (Paula Scher), environmental graphics for the New 42nd Street Studios
24–59. Pentagram (Paula Scher), environmental graphics for the New 42nd Street Studios
24–60. Pentagram (Paula Scher), painted exterior of the Lucent Technologies Center for Arts Education, a school affiliated with the New Jersey Performing Arts Center in Newark
24–60. Pentagram (Paula Scher), painted exterior of the Lucent Technologies Center for Arts Education, a school affiliated with the New Jersey Performing Arts Center in Newark
24–61. Ruedi Baur, design of the façade and signage for the Esisar school
24–62. Karel Martens, façade design for the Veenman Printers building, Ede, the Netherlands
24–63. Shuichi Nogami, poster for the architectural firm Shiki
24–64. Shinnoske Sugisaki, poster for the exhibition Mackintosh and the Glasgow Style
24–65. Ralph Schraivogel, “Henry van de Velde,” poster
24–66. Melchior Imboden, poster for the Swiss exhibition 30 Jahre Chäslager Stans
24–67. Pentagram (Paula Scher), poster for the 1995–96 season of the Public Theater, New York
24–68. Pentagram (Paula Scher), poster for the Public Theater’s productions of Hamlet and Hair
24–69. Pentagram (Paula Scher), poster for the Public Theater’s productions of Twelfth Night and The Bacchae
24–70. Jennifer Morla, poster for AIGA/Landor Associates
24–71. Jennifer Morla, El Museo Mexicano promotional poster
24–72. Skolos, Wedell + Raynor, posters for Berkeley Typographers
24–72. Skolos, Wedell + Raynor, posters for Berkeley Typographers
24–72. Skolos, Wedell + Raynor, posters for Berkeley Typographers
24–73. Skolos, Wedell + Raynor, poster for Delphax Fonts
24–74. Skolos-Wedell, poster for the Lyceum Fellowship competition
24–75. Skolos-Wedell, poster honoring Matthew Carter as a AIGA Boston fellow
24–76. Skolos-Wedell, poster for Public Bike
24–77. Skolos-Wedell, poster commemorating Frederic Chopin’s two hundredth birthday
24–78. Catherine Zask, poster for the Orchestre philharmonique de Strasbourg
24–79. Catherine Zask, poster for Les Étoiles de la Scam
24–80. Catherine Zask, Hearth, poster
24–81. Peter Bankov, poster for the exhibition Jan Kounelis, in Perm, Russia
24–82. Peter Bankov, “Tuluze,” poster for a campaign in honor of Henri de Toulouse-Lautrec, Nizhny Novgorod, Russia
24–83. Peter Bankov, “NY SVbanksA,” poster for the retrospective exhibition Underground Images: School of Visual Arts, New York City Subway Posters 1947–2014, Moscow, Russia
24–84. Hans Dieter Reichert. Cover and jacket for baseline magazine
24–84. Hans Dieter Reichert. Cover and jacket for baseline magazine
24–85. John Warwicker, poster for Tokyo Type Director’s Club
24–86. Mirko Ilic, shaped text spread for Elvis + Marilyn 2X Immortal
24–87. Władysław Pluta, poster for the exhibition Pollnische Plakate des 21. Jahrhunderts (Polish Posters of the Twenty-First Century)
24–88. Michael Bierut and Marian Bantjes (b. 1963), poster for the Seduction Symposium
24–89. Helmut Schmid, poster for the exhibition On Typography, at Kobu Design University, Japan
24–90. Koeweiden-Postma, visual identity and posters for Marhaba
24–90. Koeweiden-Postma, visual identity and posters for Marhaba
24–91. Max Kisman, poster celebrating a century of Henri de Toulouse-Lautrec
24–92. Thonik, “n8,” poster
24–93. Niessen & de Vries, poster celebrating the seventieth anniversary of the French railway SNCF
24–94. Alan Kitching, “Hamlet I,” letterpress edition print
24–95. Alan Kitching, “Blood, Toil, Tears, and Sweat,” letterpress edition print
24–96. Hammerpress (Brady Vest), concert poster for the band Yo La Tengo
24–97. Hammerpress (Robert Howsare and Brady Vest), poster for the band Explosions in the Sky
24–98. Jim Sherraden, Hatch Show Print, “Type,” combination of four letters from 1885 era wood type, opaque and transparent ink
24–99. Jim Sherraden, Hatch Show Print, “Quilted One Sheet,” printed sections from original woodblocks