Chapter 23

23–1. Alan Fletcher, Colin Forbes, and Bob Gill, cover for Graphis

23–2. Colin Forbes, symbol for the Zinc Development Association Die Casting Conference

23–3. Alan Fletcher, Victoria and Albert Museum logo

23–4. Vaughan Oliver, Central St. Martin’s Fashion Show invitation

23–5. Michael Johnson, “Design Decisions,” poster

23–6. Why Not Associates, book cover

23–7. Angus Hyland, spread from Grafik magazine

23–8. David Hillman, Millennium Stamps series for the Royal Mail, United Kingdom

23–8. David Hillman, Millennium Stamps series for the Royal Mail, United Kingdom

23–8. David Hillman, Millennium Stamps series for the Royal Mail, United Kingdom

23–9. Vince Frost, spread for Zembla magazine, vol. 10, no. 3, spring 2004

23–10. Siobahn Keaney, Royal Mail Yearpack for the Royal Mail, London

23–10. Siobahn Keaney, Royal Mail Yearpack for the Royal Mail, London

23–11. Ryuichi Yamashiro, poster for a tree-planting campaign

23–12. Japanese traditional crests and much postwar Japanese graphic design share direct frontal presentation of simplified images, symmetrical composition, and a refined use of line and space.

23–13. Yusaku Kamekura, booklet cover

23–14. Yusaku Kamekura, Tokyo Olympics logo and poster

23–15. Yusaku Kamekura, poster of the Osaka World Exposition

23–16. Tadashi Masuda (designer) and Doki Mitsuo (photographer), cover for Brain magazine

23–17. Kazumasa Nagai, exhibition poster

23–18. Ikko Tanaka, poster for Senei Ikenobo’s flower arrangement

23–19. Ikko Tanaka, “Nihon Buyo,” poster

23–20. Takenobu Igarashi, trademark for Parco Part 3 department store

23–21. Takenobu Igarashi, poster for Expo ’85

23–22. Takenobu Igarashi, poster calendar

23–23. Takenobu Igarashi, poster for the Kanagawa Art Festival

23–24. Tadanori Yokoo, poster for Koshimaki Osen

23–25. Tadanori Yokoo, poster for printmaking exhibition

23–26. Tadanori Yokoo, exhibition poster

23–27. Shigeo Fukuda, “Victory 1945” poster

23–28. Shigeo Fukuda, exhibition poster for Keio department store

23–29. Shigeo Fukuda, teacups

23–30. Koichi Sato, “New Music Media” poster for the May Corporation

23–31. Koichi Sato, image poster for the Yuny supermarket

23–32. Wim Crouwel, postage stamps for the Dutch postal service

23–33. Total Design

23–34. Wim Crouwel, poster for Amsterdam’s Stedelijk Museum design exhibition Vormgevers (Designers)

23–35. Benno Wissing, poster for the exhibition Plannenmaken: 25 jaar bond van Nederlandse stedebouw­kundigen (Plan Making: Alliance of Dutch Urban Development, 25 Years)

23–36. Pieter Brattinga, poster for exhibition De man achter de vormgeving van de PTT (The Man Behind the Design for the Dutch Post Service)

23–37. Studio Dumbar, PTT corporate identity system

23–38. R. D. E. Oxenaar with J. J. Kruit, designs for Netherlands currency: 50 guilder and 250 guilder,

23–39. Jan van Toorn, “Mens en Omgeving” (Man and Environment), poster, De Beyerd Visual Arts Center, Breda, the Netherlands

23–40. Anthon Beeke (designer and photographer), theater poster for Leonce en Lena (Leonce and Lena)

23–41. Anthon Beeke (designer and photographer), poster for Een meeuw (The Seagull)

23–42. Anthon Beeke (designer and photographer), poster for Hamlet

23–43. Ghislain (Gielijn) Daphnis Escher, poster for the Shaffy Theater

23–44. Ghislain (Gielijn) Daphnis Escher, “Dueten” (Duets), poster

23–45. Ghislain (Gielijn) Daphnis Escher, poster for the exhibition Sandberg nu: Hommage aan Sandberg (Sandberg Now: Homage to Sandberg)

23–46. Gert Dumbar (designer), Lex van Pieterson (photographer), and Teldesign (studio), poster for the Mondrian collection at the Haags Gerneentemuseum

23–47. Studio Dumbar (Bob van Dijk), poster for Holland Dance Festival

23–48. Studio Dumbar (Bob van Dijk), poster, “When the Well Is Dry, We Know the Worth of Water”

23–49. Studio Dumbar (Dennis Koot), poster for Pulchri Studio, The Hague, End of Year Exhibition

23–50. Hard Werken Design, covers for Hard Werken magazine no. 1, 1979, and no. 10

23–51. Hard Werken Design, souvenir stamp sheet for PTT

23–52. Wild Plakken, informational folder cover

23–53. Wild Plakken, postage stamps for PTT: children and traffic, Dutch trade unions, and elderly people and mobility

23–54. Irma Boom, SHV Think Book 1996–1896

23–54. Irma Boom, SHV Think Book 1996–1896

23–55. Experimental Jetset, “Meet the Cast” movie poster for Helvetica

23–56. Experimental Jetset, limited-edition packaging for the Helvetica documentary Blu-ray version

23–57. Helmut Brade, poster for Die Dreigroschenoper (The Threepenny Opera)

23–58. Gitte Kath, poster for The Chalk Circle, or the Story of the Abandoned Doll, a play for children and adults inspired by Bertolt Brecht’s The Chalk Circle.

23–59. Luba Lukova, “Peace,” poster

23–60. Luba Lukova, “Water,” poster

23–61. Hideki Nakajima, “I Am Walking,” poster

23–62. Makoto Saito, poster for Alpha Cubic Co.

23–63. Makoto Saito, “Sunrise Sunset Yusaku Kamekura,” poster

23–64. Shin Matsunaga, “JAGDA Member’s Poster Exhibition,” poster

23–65. Mitsuo Katsui, “En Hommage à Yusaku Kamekura,” poster

23–66. Stefan Sagmeister, Lou Reed poster

23–67. Werner Jeker, “Saison,” poster

23–68. Jean-Benoît Lévy, poster for AIGA

23–69. Rudi Meyer, Verdi poster

23–70. Niklaus Troxler, poster for David Murray and Kahil El Zabar

23–71. Niklaus Troxler, “Solo Vocals,” poster

23–72. Karl Dominic Geissbuhler, poster for Maria Stuarda (Mary Stuart)

23–73. Paul Brühwiler, “Andere Zeiten” (Other Times), poster for Internationale Literaturtage Erlangen

23–74. Paul Brühwiler, poster for the Luzerner Theater

23–75. Uwe Loesch, “Fly By,” poster

23–76. Holger Matthies, “Hamburger Sommer 2003,” poster

23–77. Philippe Apeloig, poster for the exhibition Bateaux sur l’eau (Boats on Water)

23–78. Annette Lenz, “Figures 
Antiques,” from a series of ten posters for Radio France

23–79. Keith Godard, poster for Verdant Light, a University of Virginia lecture series

23–80. Keith Godard, poster for Currents, a University of Virginia lecture series

23–81. Chip Kidd, book cover for Naked

23–81. Chip Kidd, book cover for Naked

23–82. Chip Kidd, book cover for Turn of the Century

23–83. Katsumi Asaba, book cover for Spy Sorge

23–84. Paprika. François Leclerc (art director and designer), Louis Gagnon (creative director, Alain Pilon (illustrator), book covers for the series Les Allusifs

23–85. Emilio Gil, designs for the summary and chronology sections of Pioneers of Spanish Graphic Design

23–86. Emilio Gil, spread from Pioneers of Spanish Graphic Design

23–87. Manuel Estrada, identity for Fundación Repsol

23–88. Manuel Estrada, symbol of the Madrid Regional Traveling Exhibition

23–89. Manuel Estrada, trademark for the Emprende Fair

23–90. Manuel Estrada, Tauromachies, sign for a special-edition book on bulls from French publisher Plume, with works by photographer Isabel Muñoz

23–91. Manuel Estrada, identity for Olé Imports

23–92. Manuel Estrada, identities for the Istituto Europeo di Design (European Design Institute)

23–93. Manuel Estrada, book covers for the series El País Aventuras (El Pais Adventures)

23–94. Manuel Estrada, book covers for the series Espacio abierto (Open Space)

23–95. Isidro Ferrer, book covers for Clásicos Universales (Universal Classics) paperback collection

23–95. Isidro Ferrer, book covers for Clásicos Universales (Universal Classics) paperback collection

23–96. Sebastião Rodrigues, cover for Almanaque

23–97. Henrique Cayatte (art director), Mário Assis Ferreira (director), Egoísta magazine, no. 14, “Portugal,” February 2003

23–98. João Machado, “1º de Maio” poster for the Almada municipal government

23–99. Alva (Diogo Potes), visual identity for Lisboa ao Carmo

23–100. Félix Beltrán, cover of an invitation for a graphic design exhibition

23–101. Luis Almeida, “Cervantes XXXII,” poster for the Thirty-Second International Festival of Cervantes

23–102. Luis Almeida, “Quixote,” poster

23–103. Gabriela Rodriguez, “I Don’t Need Legs if I Have Wings for Flying,” poster

23–104. Gabriela Rodriguez, Goya Posada, poster

23–105. Alejandro Magallanes, Reflexiones en torno al libro (Reflections on the Book), exhibition poster

23–106. Rico Lins, “Human Rights,” poster for the exhibition Artis 89, Paris

23–107. Rico Lins, poster for Doces poderes (Sweet Powers)

23–108. Rico Lins, cover for the German magazine Kultur Revolution, February 1986

23–109. Rubén Fontana, covers for TipoGráfica magazine

23–109. Rubén Fontana, covers for TipoGráfica magazine

23–110. Rubén Fontana, signage for Morph

23–110. Rubén Fontana, signage for Morph

23–110. Rubén Fontana, signage for Morph

23–111. Henry Steiner, series of banknotes for the Standard Chartered Bank

23–112. Bingnan Yu, “Dream of Flowers Blooming at Pen-tip,” poster

23–113. Wang Min, Adobe Type Library font catalog cover, summer

23–114. Wang Min, font design

23–115. Wang Min, “The Forbidden City,” logo and poster

23–116. Xu Bing, Book from the Ground

23–117. Song Xeiwei, maquette of information columns for the Olympic Park

23–118. Jingren Lu, Flip, book

23–119. He Jianping, poster advertising Hesign Studio Berlin

23–120. He Jianping, silkscreen poster design

23–121. Jiang Hua (art director and designer), Eastern Zhejiang, Chinese typeface for Eastern Zhejiang Culture Magazine, poster

23–122. Zhao Jian, book design for The Kite Art of Cao Xueqin

23–123. Ma Quan, “Art and Science” poster, 2001. This poster was designed for the Art and Science International Exhibition and Global Symposium

23–124. Wu Yong, Chuan Shi You Bao (The Precious Stamps)

23–125. Cao Fang, “Live Culture, Type Culture,” poster

23–126. Han Jiaying, promotional poster and cover for Frontiers magazine

23–127. Han Xu, “Image of Istanbul– West and East,” poster

23–128. Bi Xuefeng, “Cité International des Arts” (International City of Arts), poster

23–129. Chen Zhengda, “Feeling Style,” silkscreen poster

23–130. Wang Xu (designer) and Zi Quan (art director), Artistic Conception Writing, book design

23–131. Kan Tai-keung, Chongqing identity guideline

23–132. Freeman Lau and Tong Yang-tze, “Chairligraphy II, Jin’s Hexagonal,” poster

23–132. Freeman Lau and Tong Yang-tze, “Chairligraphy II, Jin’s Hexagonal,” poster

23–133. Tommy Li, cover and spread for Vision Quest, no. 1

23–133. Tommy Li, cover and spread for Vision Quest, no. 1

23–134. Stanley Wong, “Eye,” poster, from the “People” series

23–135. Ung Vai Meng, poster for Tequila-Sangria cinematic series, featuring films from Mexico and Spain

23–136. Ahn Sang-Soo, poster for the Jeonju International Film Festival

23–137. Ahn Sang-Soo, spread from the underground art-culture magazine Bogoseo/Bogoseo (Report/Report)

23–138. Kim-jun Park, pages from the “Five Years Recycling Calendar”

23–138. Kim-jun Park, pages from the “Five Years Recycling Calendar”

23–139. David Tartakover, poster celebrating the Henri de Toulouse-Lautrec centennial

23–140. Morteza Momayez, cover for Blue: A Collection of Forugh Milani’s Poetry

23–141. Majid Abassi, poster for Boof-e Kour (The Blind Owl)

23–142. Majid Abassi, poster for an exhibition of photographs of Sadeq Hedayat

23–143. Reza Abedini, film poster for Rêves de sable

23–144. Reza Abedini, poster for Visual Experiments, an exhibition of his own work

23–145. Saed Meshki, book cover

23–146. Saed Meshki, cover for Contemporary Poem

23–147. Chaz Maviyane-Davies, “Siege of Sarajevo,” poster for an exhibition entitled Views–Sarajevo 1914–2014

23–148. Chaz Maviyane-Davies, “War,” poster