Chapter 22

22–1. Robert Venturi, competition model for the Football Hall of Fame

22–2. Barbara Stauffacher Solomon, supergraphics for Sea Ranch

22–2. Barbara Stauffacher Solomon, supergraphics for Sea Ranch

22–3. Rosmarie Tissi, advertisement for E. Lutz & Company

22–4. Siegfried Odermatt, advertisement for Union wall safes

22–5. Rosmarie Tissi, Graphis cover

22–6. Rosmarie Tissi, direct mail folder for Anton Schöb printers

22–7. Rosmarie Tissi, poster for Anton Schöb printers

22–8. Rosmarie Tissi, poster for the Swiss poster of the year competition

22–9. Steff Geissbuhler, Geigy brochure cover

22–10. Steff Geissbuhler, Blazer financial services poster

22–11. Bruno Monguzzi, typographic poster for Oskar Schlemer, Igor Stravinsky exhibition

22–12. Wolfgang Weingart, announcement from Typografische Monatsblätter magazine

22–13. Wolfgang Weingart, exhibition poster

22–14. Wolfgang Weingart, exhibition poster

22–15. Wolfgang Weingart, exhibition poster

22–16. Dan Friedman, Typografische Monatsblätter magazine cover

22–17. Dan Friedman (instructor) and Rosalie Hanson (student), typographic permutations

22–17. Dan Friedman (instructor) and Rosalie Hanson (student), typographic permutations

22–17. Dan Friedman (instructor) and Rosalie Hanson (student), typographic permutations

22–17. Dan Friedman (instructor) and Rosalie Hanson (student), typographic permutations

22–17. Dan Friedman (instructor) and Rosalie Hanson (student), typographic permutations

22–17. Dan Friedman (instructor) and Rosalie Hanson (student), typographic permutations

22–18. April Greiman, China Club invitation

22–19. April Greiman and Jayme Odgers poster for the California Institute of the Arts

22–20. Willi Kunz, pages from 12 T y p o graphical interpretations

22–20. Willi Kunz, pages from 12 T y p o graphical interpretations

22–20. Willi Kunz, pages from 12 T y p o graphical interpretations

22–21. Willi Kunz, photography exhibition poster

22–22. Willi Kunz, typographic workshop poster

22–23. Kenneth Hiebert, exhibition and symposium poster

22–24. Christoph Radl and Valentina Grego, Memphis logo designs

22–25. William Longhauser, poster for a Michael Graves exhibition

22–26. William Longhauser. Poster for RGA Associates

22–27. Michael Vanderbyl, California Public Radio poster

22–28. Michael Vanderbyl, promotional mailer for Simpson Paper Company

22–29. Michael Vanderbyl, postmodern architecture poster

22–30. Michael Vanderbyl, poster for Hickory Business Furniture

22–31. Michael Manwaring, catalogue cover for Santa Cruz clothing

22–32. Michael Manwaring, brochure cover for Barr Exhibits

22–33. Michael Cronan and Shannon Terry, Beethoven Festival poster

22–34. Paula Scher, poster for CBS records

22–35. Paula Scher, “Great Beginnings” spread for Koppel & Scher promotional booklet

22–36. Paula Scher, Swatch Watch poster

22–37. Louise Fili, book cover for The Lover, by Marguerite Duras

22–38. Carin Goldberg (designer) and Frank Metz (art director), book cover for The Sonnets of Orpheus, by Rainer Maria Rilke

22–39. Carin Goldberg (designer) and Gene Greif (illustrator), book cover for When Water Comes Together with Other Water, by Raymond Carver

22–40. Lorraine Louie (designer) and Susan Mitchell (art director), cover for the Quarterly

22–41. Daniel Pelavin (designer) and Judith Loeser (art director), book cover for The Notebooks of Malte Laurids Brigge: A Novel, by Rainer Maria Rilke

22–42. Daniel Pelavin (designer), book cover for Hoover’s Guide to the Top Southern California Companies, 1996.

22–43. Charles S. Anderson (designer and illustrator) and Lynn Schulte (illustrator), label designs for Classico pasta sauce

22–44. Charles S. Anderson Design Co., cover for CSA Archive Catalog of Stock Art

22–45. Neville Brody, record album cover design for the band Parliament

22–46. Neville Brody, contents page logos from the Face, nos. 49, 52, and 55

22–47. Neville Brody, editorial pages for the Face, no. 59