MHOGD
Chapter 13
13–1. Pablo Picasso, Nude
13–2. Lege African mask, from what is now the Republic of Congo
13–3. Pablo Picasso, Man with Violin
13–4. Juan Gris, Fruit Bowl
13–5. Fernand Léger, The City
13–6. Fernand Léger, pages from La fin du monde
13–7. Fernand Léger, page from La fin du monde
13–8. Filippo Marinetti, cover for his first book, Zang Tumb Tumb
13–9. Filippo Marinetti, cover for Les mots en liberté futuristes (Futurist Words-in-Freedom)
13–10. Filippo Marinetti, “Montagne + Vallate + Strade x Joffre” (Mountains + Valleys + Streets x Joffre), foldout from Les mots en liberté futuristes
13–11. Filippo Marinetti, foldout from Les mots en liberté futuristes
13–12. Filippo Marinetti, “Une assemblée tumultueuse” (A Tumultuous Assembly), foldout from Les mots en liberté futuristes
13–13. Filippo Marinetti, cover for Parole in libertá futuriste (Futurist Words-in-Freedom)
13–14. Filippo Marinetti, page from Parole in libertá futuriste (Futurist Words-in-Freedom)
13–15. Ardengo Soffici, “BÏF§ZF + 18 simultaneità a chimismi lirici”
13–16. Lewis Carroll, typographic image
13–17. Stéphane Mallarmé, pages from “Un coup de dés,”
13–18. Guillaume Apollinaire, “Il pleut” (It’s Raining), from Calligrammes
13–19. Guillaume Apollinaire, poem from Calligrammes
13–20. Giacomo Balla, Dynamism of a Dog on a Leash
13–21. Antonio Sant’Elia’s drawings for the new city of the future
13–21. Antonio Sant’Elia’s drawings for the new city of the future
13–22. Fortunato Depero, New Futurist Theater Company poster
13–23. Fortunato Depero, cover for Depero futurista
13–24. Fortunato Depero, page from Depero futurista
13–25. Hugo Ball, Dada poem
13–26. Tristan Tzara and Ilja Zdanevich (1894–1974), cover of Le Coeur à barbe; Journal transparent (The Bearded Heart; Transparent Newspaper), no. 1
13–27. Alfred Stieglitz, photograph of The Fountain, by Marcel Duchamp
13–28. Marcel Duchamp, cover of La septième face du dé (The Seventh Face of the Die), by Georges Hugnet
13–29. Hannah Höch, Da—dandy, collage and photomontage
13–30. Kurt Schwitters, Allgemeines Merz Programm (General Merz Program)
13–31. Kurt Schwitters, untitled (Grüne Zugabe)
13–32. Kurt Schwitters, W W priimiitittii
13–33. Kurt Schwitters, Théo van Doesburg, and Kate Steinitz, page from Die Scheuche: Märchen
13–34. Kurt Schwitters, pages from Merz 11
13–35. Kurt Schwitters, stationery for consulting agency
13–36. John Heartfield, cover for Deutschland Deutschland über alles, by Kurt Tucholsky
13–37. John Heartfield, AIZ 9, no. 6, page 103, illustration attacking the press
13–38. John Heartfield, AIZ 11, no. 29, page 675
13–39. John Heartfield, “Der Sinn des Hitlergrusses” (The Meaning of the Hitler Salute), cover for AIZ 11, no. 42
13–40. John Heartfield, “Der Sinn von Genf: Wo das Kapital lebt, kann der Friede nicht leben” (The Meaning of Geneva: Where Capital Lives, Peace Cannot Live), cover for AIZ
13–41. John Heartfield, AIZ 13, no. 52, page 848, December 1934
13–42. Wieland Herzfelde, page from Neue Jugend
13–43. George Grosz, “Johannisnacht,” 1918, from Ecco Homo
13–44. Giorgio de Chirico, The Philosopher’s Conquest
13–45. Max Ernst, collage from Une semaine de bonté (A Week of Kindness)
13–46. René Magritte, illustration for “Les Chants de Maldoror”
13–47. Salvador Dalí, “Down the Rabbit Hole,” from Alice in Wonderland
13–48. Joan Miró, from Le courtisan grotesque by Adrian de Monluc, comte de Cramail
13–49. Käthe Schmidt Kollwitz, “The Survivors Make War on War!” poster
13–50. Wassily Kandinsky, Improvisation No. 29
13–51. Paul Klee, Fish Magic
13–52. Francis Bruguière, Light Abstraction
13–53. Alvin Langdon Coburn, The Octopus
13–54. Man Ray, “Sleeping Woman”
13–55. Man Ray, page from Facile (Easy), by Paul Éluard
13–56. Man Ray, Gun with Alphabet Squares
13–57. Man Ray, London Underground poster
